"Two Masters' Eyes" 2003 interview with directors Dario Argento and George Romero, special make-up effects supervisor Tom Savini, executive producer Claudio Argento, and actress Asia Argento
"Savini's EFX" 1989 behind the scenes video
"At Home with Tom Savini" 1989 personal tour of Tom Savini's home
"Adrienne Barbeau on George Romero" 1989 interview
Theatrical Trailer

Japanese

1.85:1

1080p24 AVC MPEG-4

English DTS-HD Master Audio 5.1
English Dolby Digital 5.1
English Dolby Digital 2.0 Stereo

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"Two Masters' Eyes" 2003 interview with directors Dario Argento and George Romero, special make-up effects supervisor Tom Savini, executive producer Claudio Argento, and actress Asia Argento (29:32)
"Savini's EFX" 1989 behind the scenes video (12:06)
"At Home with Tom Savini" 1989 personal tour of Tom Savini's home (15:43)
"Adrienne Barbeau on George Romero" 1989 interview (4:34)
Theatrical Trailer (1:28)

English, French, Spanish

1.78:1

1080p24 AVC MPEG-4

English DTS-HD Master Audio 7.1
English Dolby TrueHD Audio 7.1
English Dolby Digital 5.1 EX

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DISC ONE
*The Film
Audio Commentary by film historian Troy Howarth (2019)
Poster & Still Gallery
Theatrical Trailer (1:28)

DISC TWO
"Two Masters' Eyes" 2003 interview with directors Dario Argento and George Romero, special make-up effects supervisor Tom Savini, executive producer Claudio Argento, and actress Asia Argento (29:32)
"Savini's EFX" 1989 behind the scenes video (12:08)
"At Home with Tom Savini" 1989 personal tour of Tom Savini's home (15:42)
"Adrienne Barbeau on George Romero" 1989 interview (4:35)
"Before I Wake" 2019 interview with actor Ramy Zada (14:03)
"Behind the Wall" 2019 interview with actress Madeleine Potter (16:09)
"One Maestro and Two Masters" 2019 interview with composer Pino Donaggio (15:12)
"Rewriting Poe" 2019 interview with screenwriter Franco Ferrini (13:37)
"The Cat Who Wouldn't Die" 2019 interview with assistant director Luigi Cozzi (26:33)
"Two Evil Brothers" 2019 interview with special make-up effects assistant Everett Burrell (13:52)
"Working with George" 2019 interview with costume designer Barbara Anderson (9:15)

DISC THREE (CD)
Soundtrack by Pino Donaggio (21 tracks; 57:32):
"The Facts in the Case of Mr. "Valdemar"
01. "The Others" (1:06)
02. "Preparing the Murder" (1:38)
03. "The Signature" (3:31)
04. "Psychochemicals" (4:32)
05. "Unexpected Visit" (2:21)
06. "Hypnosis" (2:04)
07. "Living For Money" (4:00)
08. "Two Evil Eyes" (7:36)
09. "The Living Dead" (1:48)
"The Black Cat"
10. "Dreaming Dreams" (5:02)*
11. "The Pit and The Pendulum" (2:09)
12. "Watch That Axe, Annabelle" (1:38)
13. "The Gothic Town" (1:44)
14. "Bridge Over Time" (2:34)
15. "Adest Sponsus" (1:36)**
16. "The Photographer" (2:41)
17. "Shadyside" (3:02)
18. "Menace" (1:47)
19. "The Bloody Hacksaw" (2:08)
20. "The Black Cat" (2:16)
21. "The Hanging" (2:19)
*Lyrics by Paolo Steffan, Music by Pino Donaggio.
**Conducted by Joel Cohen, performed by the Boston Camerata.

English HoH, French, Spanish

1.78:1

1080p24 AVC MPEG-4

English DTS-HD Master Audio 7.1
English DTS-HD Master Audio 2.0 Stereo
French Dolby Digital 1.0

Keep Case

New 4K master from the original 35mm camera negative.
The disc is mislabeled as Region A.
Back cover only mentions English and French subtitles.
Comes with the booklet "The Facts in the Case of Two Evil Eyes" by Michael Gingold, reversible cover, and holographic slipcover.

“Christine Romero about getting her part” interview (0:46)
- Watch the interview with costume designer Barbara Anderson. When you return to the menu, M. Valdemar’s eye will be red, press enter.

DISC ONE (Blu-ray)
*The Film
Making-of (10:00, in English with German subtitles)
English Theatrical Trailer (1:24)
German Theatrical Trailer (1:20)
Alternative Credits (4:59)
Music Video: Salem's Pop "Evil Eyes" (2:46)
Adversting Material
Trailers:
- "Deep Red"
- "Zombie 2: Day of the Dead"

DISC TWO (DVD Copy)

German (forced)

1.78:1

1080p24 AVC MPEG-4

English Dolby Digital 2.0 Stereo
Italian Dolby Digital 2.0 Stereo
German Dolby Digital 2.0 Stereo

Mediabook

Comes with a 12-page booklet by film historian Kai Naumann.
Mediabook with a choice of two covers limited to 1,000 copies each.