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  • Extras:
    *The Film - 1.85:1 Widescreen Version (74:09, 2160p)
    *The Film - 1.37:1 Open-Matte Version (74:09, 1080p)
    (1) Audio Commentary on the widescreen version by writer and genre historian David J. Schow, author of "The Outer Limits: The Official Companion" (2024)
    (2) Audio Commentary on the widescreen version by star William Shatner (2001)
    (3) Audio Commentary on the widescreen version by producer Anthony Taylor, cinematographer Conrad L. Hall, and camera operator/back-up cinematographer William Fraker, moderated by writer and genre historian David J. Schow, author of "The Outer Limits: The Official Companion" (2001)
    Isolated Score on the widescreen version (in LPCM 2.0 Stereo)
    "Words and Worlds: Incubus and Esperanto in Cinema" 2024 interview with genre historian Stephen Bissette (43:30)
    "Internacia Lingvo: A History of Esperanto" 2024 interview with Esther Schor, author of "Bridge of Words: Esperanto and the Dream of a Universal Language" (22:05)
    "An Interview with the Filmmakers of Incubus by David J. Schow, author of The Outer Limits: Official Companion" 2001 interviews with producer Anthony Taylor, cinematographer Conrad Hall and camera operator/back-up cinematographer William Fraker (19:15)
    2001 Video Trailer (2:23)
  • Subtitles:
    2160p Widescreen Version
    English, Esperanto HoH (optional)
    1080p Open-Matte Version
    French (BURNT-IN), English or Esperanto HoH (optional; on black strips)
  • Aspect Ratio:
    1.85:1/1.37:1
  • Picture Format:
    2160p24 HEVC
  • HDR:
    HDR10, Dolby Vision
  • Soundtrack(s):
    Esperanto LPCM 1.0 (48kHz/24-bit) (both versions)
  • Case type:
    Keep Case
  • Notes:
    4K restoration from the last surviving 35mm print by Le Chat Qui Fume.
    The open matte version includes the burnt-in French subtitles while the widescreen version crops them out (the first line of a few two-line subtitles appears at the bottom of the frame).
    Comes in a slipcover with a reversible sleeve featuring newly commissioned artwork by Richard Wells, and an illustrated collector's booklet featuring new writing on the film by Frank Collins and Jason Kruppa.

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